Cinema, Worthing, West Sussex, England, is a grade II listed building. It has two cinema screens, a function
room and a bar. It has closed for refurbishment several times, most recently between December 2005 and July
2007. The name derives from the distinctive dome on top of a three-storey tower over the
The Dome is an Edwardian
building and one of the oldest working cinemas in England, and was opened in 1911 (Brighton's Duke of York's
Picture House was opened in 1910). It was opened by a Swiss impresario named Carl Adolf Seebold. It was
originally named The Kursaal — a German word translating as "cure hall". The Kursaal was used as a health centre
and entertainment complex by visitors to the seaside town. At the time it contained the Coronation Hall, which
was used to for roller skating, exhibitions, concerts and events, and the Electric Theatre, the first cinema run
for paying audiences in West Sussex.
Following the outbreak of
World War I leading residents of the town objected to the German name and after a competition with a prize of
£1.00, the Cinema was renamed "The Dome". The cinema is now used as a venue for The End of the Pier
International Film Festival.
Carl Adolf Seebold moved to
Worthing in 1904, from Southend where his family had lived for several years. Seebold acquired the site of the
future Dome in 1906.
Seebold began construction of
the Kursaal in 1910, after he hired Theophilus Arthur Allen as architect for the sum of £4000. Similar
businesses enterprises that functioned as both health spars and entertainment complexes existed on the Continent
that were also named Kursaal and Seebold, originally Swiss, was presumably aware of these and used them as a
road map for his enterprise.
Seebold's Kursaal opened in
1911. At this time the site retained the extensive gardens of the previous site. Seebold's additions were the
Coronation Hall, a skating rink and the Electric Theatre, which displayed short, silent cartoons. The following
year Seebold added an awning to cover the garden for all weather use.
The films Seebold showed in
the Electric Theatre were sufficiently profitable that he converted the Coronation Hall so that it could serve
as a second cinema screen in 1913.
World War I broke out on 28
July 1914 and after casualties began to mount the residents became increasingly anti-German. To save his
successful business, Seebold held a competition in 1915 for a new name. The grand prize was £1.00. In a
retrospective published by The Argus newspaper on 4 September 2003 it is stated:
The £1 prize was divided among
the first four people to write in: Miss Mary Summers, of Church Walk; Mr W Tedder, of Lyndhurst Road; Miss F C
Philpott, of York Road, and Thomas Chandler, of London Street.
It was not until long after
World War I had drawn to a close in 1918 that the Dome was converted into a proper, full time cinema. Seebold
had arranged for a ranked floor to be added to the Coronation Hall as a temporary measure in 1914 but it was not
until 1921 that the change was made permanent when the Dome was re-modelled by architect R. Kirksby
for a sum of £8000. This area was to remain in continuous use as a cinema until
the Dome was closed for refurbishment on 5 January 1999.
During the remodelling carried
out by Mr Kirksby a plaster ceiling was added to the main theatre, along with a large, wood-panelled foyer and a
polygonal ticket booth that remained in the building as of 2004. It was also at this time that the Electric
Theatre was converted into a ballroom.
For some years the Dome had
been the centre of a controversy in that Seebold showed films on Sunday, which was considered a violation of the
Sabbath. Local clergymen and town councillors had been attempting to stop this practice for some time, but
Magistrates upheld Seebold's application to carry on.
It was during the 1920s that
the Dome saw competition in the form of the Picturedrome, which is today known as the Connaught Theatre,
Worthing. Seebold retaliated to his rival by opening the Rivoli cinema in 1924. By 1926 he owned the
Seebold continued to enjoy a
monopoly in the area until more cinemas opened in the 1930s. The Plaza opened in 1933 and the Odeon in 1934. In
the days before television, cinema was extremely popular and the town could sustain five
The Dome carried on, albeit in
reduced circumstances, with essentially few changes until fear of German invasion in World War II caused it to
briefly close. It reopened under a strict curfew and continued business, though not without
A resident of Worthing
recalled the following case of enemy action for a BBC history project.
I was 14 and allowed to start
work. I started working as a projectionist in the cinema, as a rewind boy, like an apprentice projectionist. I
was working in the Dome Cinema, right on the sea front at Worthing. On the sea front there were anti aircraft
guns manned by male soldiers. Also there were ATS women that worked the telescope. It was a long horizontal one.
You looked into the middle of it and could see any aircraft that was coming in. If the gunners couldn't see the
planes then the ATS used to direct them.
Also I used to fire watch. I wasn't on watch every night, about every
3rd night. I was on watch one night and a bomb was dropped but it didn't explode. It went underground and
partly under the cinema. Everywhere was quickly evacuated. The bomb disposal people had a job getting down to
it because Worthing beach is all shingles and every time they dug down it just filled back in. They had a
hell of a job shoring it up, it took them a good 2 weeks to get to the bomb and at any time it may have gone
off! I didn't get 2 weeks off work though. The owner had another cinema up in the town and I went to work
Post war years
After the end of World War II
the Dome went into a steady decline due to heavy competition. In 1949 Seebold restructured his company and
remarried. He continued to run the new business, The Rivoli and Dome Ltd, until his death in 1951. By 1955 the
Dome was badly out of date and required a refit. The new owners hired architects Goldsmith and Pennells to
install a new cinemascope screen. Although the rise of television and sharing the area with four other cinemas
must have added financial pressure, the Dome survived to see its sister cinema, The Rivoli, burn down in 1960.
One of the Dome's competitors, The Plaza, closed down in 1968.
At some point the Picturedrome
had changed its name to the Connaught and served chiefly as a theatre for live performances, a role it continues
today, so the Dome and the Odeon were the only full time cinemas in Worthing by this
The Odeon was a multi-screen
cinema and was considerably larger and more modern than either the Dome or the Connaught. It seemed inevitable
that the Dome would fade into history.
The redevelopment scheme
In 1969 Worthing Borough
Council purchased the Dome as part of a much larger redevelopment scheme. Their intention was to rebuild most of
the east half of Worthing town centre, starting with the north. The redevelopment scheme itself dated back to
the 1940s and 1950s.
Worthing's original town hall
and the Georgian Royal Theatre were amongst the buildings torn down in the first phase of this project, which
cleared the way for the construction of the Guildbourne Centre.
Unfortunately for the
council's plans, the Guildbourne Centre was poorly received and its design heavily criticised. The redevelopment
scheme apparently stalled shortly thereafter, leaving the Dome cinema in the hands of the borough council that
had declared the intention to demolish it.
The cinema remained open
during this time, however, with the original building split into three parts and leased to three separate
business people on a short-term basis.
Garrick House Ltd, a company
based in Crewe which ran two other cinemas and one theatre elsewhere in Sussex, leased the Dome cinema itself
and continued operating it. Unfortunately the terms of the lease permitted by the council made any long-term
investment in the cinema unappealing. With no-one protecting the Dome's long term interests, the cinema went
Unexpectedly, the Dome's
larger, more modern rival shut down first. In 1987 the Odeon chain of cinemas had decided their Worthing theatre
was no longer viable. The multi-screen Odeon was demolished so that the site could be rebuilt as a shopping
arcade. The Dome was suddenly the only purpose build cinema in town again, just as it had been when it
The Dome also received some
welcome publicity in 1987 when Director David Leland decided to use the cinema as a location in his film Wish
You Were Here, starring Emily Lloyd and Tom Bell.
In 1988 a structural survey
commissioned by the council estimated that the Dome required £1,900,000 worth of repairs and the borough
council's long dormant redevelopment scheme seemed to be underway again. However, the situation had greatly
changed since the council's redevelopment plans had been redrawn at the end of the 1970s. When redevelopment had
first been suggested after World War II the Dome was forty years old. By the time of the survey it was
seventy-seven years old and, in the eyes of local people, the concept of redeveloping the town centre had been
discredited by the unpopular Guildbourne Centre project. Additionally the fact that the Connaught was primarily
a theatre meant that pulling down the Dome would have left Worthing, a seaside resort with approximately 100,000
residents, without a cinema. These factors lead to a grass-roots campaign to save the Dome that ran through the
rest of 1988 and much of 1989.
On 27 April 1989 the borough
council approved the plans of Burton Property Trust to redevelop the town centre. The Dome was one of many old
buildings to be torn down, including some Grade II listed buildings. There was a public outcry at the
In spite of the widespread
local opposition to the redevelopment, the council proceeded with their plans. In response, campaigners sent an
application to the Department of the Environment to have the Dome registered as a listed building. This
application was successful and the Dome became a grade II listed building on 31 May
The campaign against
redevelopment continued, with stories appearing in the national press and at least one European newspaper, until
Burton Property Trust announced it was withdrawing from the scheme in September
The campaign to save the Dome
With the departure of Burton
Property Trust from the situation, the question of what would happen to the Dome was again open. Several
proposals were put forward but ran into planning difficulties, including some that were intended to help improve
the cinema by overhauling the front and interior of the building.
Between 1989 and 1991 there
were a series of planning battles between the council and conservationists, which ended when a government
inspector overturned a council decision that applications to develop the area around the Dome on a piece by
piece basis were premature.
On 10 March 1991 the Dome
played host to the AGM of the Cinema Theatre Association. Then, in May of that year, local council elections
were held resulting in the election of Ian Stuart, a former joint chairman of the Save the Dome Campaign. That
month a council planning officer stated that there was no longer any intention of demolishing the Dome. Later in
1991 the Dome Preservation Trust was established to look after the long term interests of the
The following year trouble
struck. Garrick House Ltd, the operator of the cinema, was subjected to a winding up order by the High Court on
the 29 January 1992. Neville Russell, a Brighton based firm of chartered accountants, were appointed
In February, the council put
forward £110,000 towards building work that would keep the Dome watertight for the next five years. The Dome
Preservation Trust was expected raise an equal amount so that the work could go ahead. At the same time, the
liquidators installed Robins Cinemas as temporary managers of the Dome. Robins Cinemas operated a small chain of
nine cinemas at the time and continued to run the cinema while a legal battle between the council and the
liquidator over the rights to the leasehold of the Dome ran on until December
Control of the Dome was
returned to the Borough Council on 25 March 1992. The council immediately closed the cinema over safety
concerns, to the shock of local residents. Council officers estimated £100,000 would be needed to make safe the
electrical wiring in the Dome, though Seeboard eventually carried out the work for £26,500, completing the work
in May 1993.
Even though Robins Cinemas had
been appointed to run the cinema by the liquidator, the borough council re-let the Dome to the cinema chain on a
short-term lease. On 13 July 1993 the Dome held a charity showing of Jurassic Park to raise funds for the Dome
In 1994 urgent repairs were
carried out the Dome tower itself at an eventual cost of £300,000 to the council. Some of the more ornate
architectural features of the Dome had been removed in the 1950s and the Dome Preservation Trust ran a campaign
to raise funds so that these features could be replaced. The campaign included the creation of a new group
called "Friends of the Dome", of which Professor Anthony Field CBE was the president. The campaign eventually
raised over £10,000.
Even after this extensive
restoration, it was estimated that work costing a further £600,000 was needed and in 1995 Worthing Borough
Council decided it was time to put the freehold of the cinema on the market. The Chapman Group put in a bid with
the intention of turning the Dome into a nightclub, which the council approved. In February 1996 there was a
public demonstration in front of the town hall and on 4 March 1996 The Times newspaper  carried a page three
article under the headline "Last Reel for Britain's longest running cinema" with the byline of Marcus Binney.
The magazine Private Eye also carried an article about the Dome's situation.
The publicity seemed to
attract other bidders for the Dome, amongst them Eugene Chaplin (the son of Charlie Chaplin) and an unnamed
consortium. In spite of the competition Chapman's bid was successful. Then it was discovered that the then
Department of National Heritage had upgraded the Dome's status from grade II listed to grade II, a status only
four other cinemas in Britain shared. The Electric Cinema in Portobello Road, the Scala Cinema in Ilkeston (now
the Scala (club)), the Torbay Picture House in Paignton, and the Elite Cinema in Nottingham. The addition of the
star to the grade II listing meant that any future application for building work had to be considered by the
Secretary of State for National Heritage.
This may have been a factor in
Chapman Group's decision to announce that it was pulling out of the redevelopment of the Dome in October
In November 1997 the borough
council decided to put the Dome Cinema up for sale again. The Dome Preservation Trust renamed itself the
Worthing Dome and Regeneration Trust at this time and began work on a bid to buy the Dome from the council. At
this time the cost of renovating the Dome was estimated at £1,000,000.
In October 1998 with the Dome
still on the market, a developer proposed building a nine screen multiplex cinema in Worthing on the site of the
Teville Gate shopping centre. The trust continued with its own plans to buy the Dome and renovate it. Before the
end of the year the bingo hall and the café that operated in the other two parts of the original Dome complex
vacated the premises, allowing them to be reunited with the Dome itself.
By January 1999 there were
four bids for the Dome Cinema. On 5 March 1999 the borough council accepted the bid from the Worthing Dome and
Regeneration Trust on the condition that their applications for funding from English Heritage and the National
Lottery were successful, but on 5 April 1999 the council closed the Dome for reasons of health and safety. After
eighty-eight years the Dome was the longest continuously running cinema in United Kingdom and the only full-time
cinema in Worthing.
The restoration of the Dome
The Heritage Lottery Fund
approved the Worthing Dome and Regeneration Trust's application in Early October. The story was carried in the
local press and allowed the purchase of the freehold from the borough council to go ahead. On the 9 November
1999 the trust paid the council a nominal fee of £10 and took possession of the
A grant of £20,000 was made to
carry out preliminary work on the building, much of which was done by unpaid volunteers. This allowed the Dome
Cinema to reopen on 17 December 1999 with a special showing of the 1957 film The Smallest Show on Earth,
appropriately a comedy about the owner of a troubled small cinema. The reopening was covered by the local press
The Heritage Lottery Fund was
willing to put up £1,750,000 for the complete restoration of the Dome but only on the condition that the trust
raised £500,000 itself first to demonstrate sufficient local interest to make the project worthwhile. The trust
launched an appeal to raise the money . The appeal continued to run while the Dome Cinema was open for business
but in September 2001 the local press reported that the completion date for the £2.5 million pound renovation
had been put back by two years from 31 December 2003 to 31 December 2005. By February 2002 it was reported that
the Worthing Dome and Regeneration Trust only needed to raise £250,000 to unlock the £2.5 million available from
the Heritage Lottery Fund. However on 27 November 2002 it was reported that the trust in fact needed £300,000
but had only managed to raise £75,000. The deadline for raising it had been extended from 31 December 2002 to 31
On 20 November 2002 the trust
opened a second theatre in the area that had housed the original cinema screen when the Carl Seebold originally
opened the Kursaal in 1911. In honour of the original Electric Theatre, the new theatre retains its
The Heritage Lottery Fund
eventually released the money to the Worthing Dome and Regeneration Trust in October
The cinema continued to remain
open while restoration work was carried out for as long as possible, continuing to show films throughout 2004.
On 23 January 2005 Griffin, an independent film by a local director, premiered at the Dome in a gala night that
was covered by the local press.
The cinema continued normal business until December 2005 when the
major work of restoration began and the Dome was closed again. It reopened on 6 July 2007 after extensive